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Most involving was its central movement The Islanders, with what sounded like an amplified metronome pulse providing the basis for an accumulation of orchestral activity – capped by piano playing channelled into a cadenza both pensive and, in its Parsifal allusion, equivocal. Not that hearing Island Nation was time wasted, though this concerto by Francesco Tristano (b1981) impressed more in the freely extemporised nature of its solo part and the composer’s magnetic realization of this than for intrinsic musical content. Lupeş evidently had the measure of this ‘threatening elegy’ as he secured playing of verve and commitment from his forces, leaving this listener keen to experience the piece again – albeit in an appreciably different context. A piece whose poly-stylistic connotations could easily result in fragmentation and diffuseness here sustained powerful cumulative momentum through to its atmospheric yet unresolved conclusion. Emerging almost imperceptibly, this short if eventful piece assumes an increasingly ominous demeanour – not least through allusions to Satie from solo piano (hence the subtitle con Gnossienne-Mandala), then the explosive interjections of bass drum heard from behind the auditorium. Provocation was the watchword in Elegia minacciosa by Dan Dediu (b1967), the most prominent Romanian composer of his generation. The outcome was a programme which fascinated, provoked and frustrated to an equal extent. This afternoon saw him directing the orchestra for a wide-ranging programme, given as part of the festival’s ‘Music of the 21st Century’ series, which demonstrated Lupeş’ ability to secure a committed response in music that makes few concessions either technically or interpretatively. Peer Gynt Suite No.1, Op.46, In The Hall Of The Mountain King Peer Gynt Suite No.2, Op.Michael Barenboim (violin), Francesco Tristano (piano), Sibiu Philharmonic Orchestra / Cristian Lupeş (above)īasica Concerto for Conductor and Orchestra (2019) Ĭristian Lupeş has enjoyed a long association with the Enescu Festival as both conductor and administrator, and now combines these roles in his activity with the Sibiu Philharmonic.Lyric Pieces Book I, Op.12, Album Leaf Elves' Dance Book III, Op.43, Butterfly To Spring Book V, Op.54, March Of The Trolls Notturno Book VII, Op.62, Brooklet Book VIII, Op.65, Ballad Wedding Day At Troldhaugen Book X, Op.71, Once Upon A Time.2015 – The Chopin Project (with Ólafur Arnalds).2014 – Scandale (with Francesco Tristano) - Tristano: A Soft Shell Groove Stravinsky: The Rite of Spring Rimsky-Korsakoff: Scheherazade – The Story of the Kalendar Prince Ravel: La Valse.2013 – Mussorgsky: Pictures at an Exhibition and Schubert: Piano Sonata in D major, D850.2011 – Beethoven: Piano sonatas No.3 in C, Op.2 No.3 and No.21 in C, Op.53 ( Waldstein).2009 – Liszt: Études d'exécution transcendente.Ott has a recording contract with Deutsche Grammophon and her recordings include: She won first prize in the 2003 Bach Competition in Köthen, Germany, the 2004 Pianello Val Tidone Competition in Italy, and the 4th EPTA (European Piano Teachers Association) International Competition in 2005. Ott has made recordings of Franz Liszt's Transcendental Etudes and Frédéric Chopin's waltzes for Deutsche Grammophon, and performed concert tours in Europe, Japan and the United States.
Alice sara ott scandale professional#
Her sister Mona Asuka Ott is also a professional pianist. Ott has won awards at a number of piano competitions, including first prize at the 2004 Pianello Val Tidone Competition. įrom the age of twelve, she studied at the Salzburg Mozarteum with Karl-Heinz Kämmerling while continuing her school education in Munich. In 2002 she was the youngest finalist at the Hamamatsu International Piano Competition in Japan where she won the Most Promising Artist award. She won the Jugend musiziert competition in Germany when she was seven years old.
Alice sara ott scandale full#
She started piano lessons when she was four, and reached the final stage of the youth competition in Munich at the age of five, playing to a full house in the Hercules Hall. She says she realised as a child that "music was the language that goes much beyond any words" and that she wanted to communicate and express herself through music.
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Ott was born in Munich, Germany, in 1988 her Japanese mother had studied piano in Tokyo, and her father was a German civil engineer. Alice Sara Ott (born August 1, 1988) is a German classical pianist and the elder sister of Mona Asuka Ott.